Storyboard

Script

Walking Sleep

by 

Nathan, Emily & Lauren

INTERIOR. HOUSE - NIGHTTIME

Michael sits in his room reading a book with the TV on in the background.

Michael’s Father walks into his room.

FATHER

 “Michael you need to stop reading that stuff, it can’t be any good for you just before bed.”

MICHAEL

“Yeah, yeah…”

FATHER

 “Get some sleep now, its getting late.”

MICHAEL

“Ok, goodnight Dad.”

FATHER

 “Goodnight.”

(cut to black)

Michael is fast asleep. The book falls out of his hand onto his bedroom floor. We see a close-up of his feet as he begins to sleep walk.

Michael walks downstairs into the kitchen, bumping into a glass causing it to fall and smash making a very loud noise, waking Michael’s Father up. 

FATHER

“Michael, what the hell is going on?!”

MICHAEL

“Dad, I have no idea!” 

FATHER

“You must have been sleepwalking again, are you ok?”

MICHAEL

“Yeah I’m fine.”

FATHER

“Come on, get back up to bed.”

INTERIOR. HOUSE - DAYTIME 

The next morning they discuss what happened during the night and the Father tells Michael that he'll lock his door tonight to stop him wandering around. 

FATHER

“That’s the third time this month you’ve been up in the night sleepwalking.”

MICHAEL

“I can’t control it Dad.”

FATHER

“I know Michael, but I don’t want you to end up hurting yourself. I think I will lock your door tonight to stop you wandering around.”

Michael stares into his cereal bowl and takes a couple of mouthfuls.

Michael doesn't feel well enough to go to school but his Father is unsympathetic and tells him to go to school and that he'll be fine.

MICHAEL

“I really don’t feel well, do I have to go into school today?”

FATHER

“No, you’re just fine. Now come on get ready, otherwise you’ll be late.”

EXTERIOR TO INTERIOR. HOUSE - EARLY EVENING

That evening, we see the Father downstairs watching football when Michael comes in from school.

MICHAEL

(shouts) “I’m home.”

FATHER

“Did everything go ok at school then?”

MICHAEL

“It was alright.”

The Father continues to watch the football as Michael runs upstairs into his room to read the book again. 

Clock transitions from pm to am.

INTERIOR. HOUSE - MIDDLE OF NIGHT

Michael begins to bang his head on his bedroom door (in time with clock)?

The Father hears the banging and rushes to Michaels room to unlock the door. Blood is on the door and Michaels head.

INTERIOR. HOUSE - DAYTIME

The next day the father allows Michael to stay off school and leaves him playing video games when he goes to work.

Michael holds icepack on his head.

FATHER

“Right Michael I’m off to work now.”

MICHAEL

“I’m sorry Dad.”

FATHER

“Don’t be, you can’t help it. You deserve a day off, but keep that icepack on your head.”

Father leaves for work and Michael pauses video game and continues to read his book which was hidden under the sofa. 

INTERIOR. HOUSE - NIGHTTIME

That night, Michael ties himself to his bed in an attempt to prevent himself sleepwalking again. Later, we see that he has broken free from the ropes that were tied around his feet.

Michael begins to walk outside and stands on the pavement staring into the road. The Father goes into his room to check on Michael and notices ripped pages all over his room. He then sees him out of the window. Michael turns his head towards the window where his Father is looking at him. Michaels face is expressionless as he is still in a sleep/possessed state.

Car headlights appear in the distance, as they get closer Michael steps into the road. Just as he is about to be hit, his father dives into the road and saves him. Michael wakes up and has no idea what has just happened.

FATHER

(hugging Michael) “We’re going to put an end to this.”

(cut to daylight sky & sparks from the fire)

EXTERIOR. GARDEN - DAYTIME

The Father and Michael are distraught, and decide to burn the book the following day. Michael walks out with the book and all the pages in hand, then passes it to his Father. 

FATHER

“This will put an end to it. You’ll be fine now Michael.”

The Father throws the book and its pages into the fire to let it burn. 

INTERIOR. HOUSE - NIGHTTIME

The Father says goodnight to Michael.

FATHER

“Goodnight, see you in the morning.” 

Michael lays peacefully in bed with an empty table to the side, but his eyes suddenly open at an ECU and he looks to the side to see the book back beside him. 

Applying Film Language to Final Idea

Film Language

In our short film there are a variety of techniques we aim to produce, from focus pulls to tracking shots with a steadi-cam. 

Steadi-cam:

Before shooting, we will practise with the new steady-cam to enable us to get the perfect smooth shots, for example when we follow Michael down the stairs, when we track him we want to capture a fluent shot to reinforce continuity before the disruption takes place within the narrative.

Focus Pulls & Shallow depth of field:

These two techniques will play an important role in our short film as it will reinforce the distortion that Michael is experiencing from the tormenting sleep walking episodes he gets after reading this book that his Father told him to stop reading. It will also act as action and enigma codes as it foreshadows the ending, however, raises questions what he will be doing. 

These techniques link to many horror films, for example James Wan's horror films:

Conjuring
Conjuring 2
Annabelle
Saw

Lighting & Sound Decisions

Lighting

• Lighting will play an incredibly important role in our short film. This is typical of a horror as lighting has to be used in particular ways to generate moods and atmospheres and also to create a certain light on our actors. 

• During our night time interior shots of Michael, we will have a dimly lit lamp to just make Michaels face glow, creating a vignette around the frame, making the scene more dark and eerie, therefore applying the conventions that are needed in order to produce a successful horror short film. 

• To create a dark room we will use our LED light with its orange filter. This will help reinforce natural lighting, making the shot feel more realistic, generating realism for our spectators. 

• During our morning interior shots, we will use our umbrella lights which will help us direct certain light into the correct areas. We will have tests shots to see which direction looks most naturalistic. 

• When shooting our final sleep walking incident outside at night time, we will use just one LED light and also our car head lights to reinforce the shock of when Micheal is seen walking down the road. 

Sound

• Throughout our short film, our dialogue will be fully diegetic within the story world. There are no flash backs included in our narrative. We will use certain websites such as Youtube or Incomptech to research and find the correct sound tracks. 

• However, we are going to create some foley sound effects, for example, during Michaels second sleep walking incident he repeatedly hits his head against his bedroom door (our actor will not actually do this action) but we will re-create a thumping sound effect to make this action more realistic, generating emotions of shock and distress for the young teenage boy. 

Applying Audience to Final Idea

Audience

Our short film targets both genders aged 15-25. Our short film would be typically viewed on real media texts such as Vimeo or Youtube, however, you can also submit your final short film to websites like ShortFilmOfTheWeek which are films that are chosen to be shown on their websites and can even win awards. This method allows young filmmakers step onto the platform of beginning in the film industry. All of these methods to deliver your film to your target audience are a great way of gathering a following, which can lead to further demand of more short films. 

The genre of our film would also attract audiences who enjoy horror, therefore by using typical horror codes and conventions allows our target audience to recognise immediately that it is the genre that they prefer over others, it segregates it from many other genres. 

As our film is about sleep walking, which is a very common habit when sleeping, it generates reliability for our target audience making them feel more connected to our protagonists and to engage with the narrative on a better understanding for those who have not experienced sleep walking in their life. 

Organisation of Actors

Father possibilities:

• Glen Ferguson aged 52

Teenage Boy possibilities:

• Still searching for an actor for this role

Applying Genre to Final Idea

Genre

Our final idea for our short film explores genres of Horror and some elements of Social Realism as we will use iconography of the everyday to reinforce realism, making it more engaging and thriller for spectators as if the events we present could happen to them. Our short film has a chronological and linear narrative, you could also argue that our structure is also circular as we aim to foreshadow aspects of our films ending, therefore creating action codes apart of Roland Barthes theory, as we want to generate enigma however, prepare our target audience that there will be events taking place throughout the plot. 

Health & Safety Considerations

Throughout the production of our short Thriller, we will need to take some health and safety precautions into consideration. Due to the indoor setting of the house for the majority of the film, we are fortunate that there aren't too many risks.

There will be a scene where a glass is being smashed onto the floor which creates the risk of a shard hitting someone. To prevent anyone from being hurt, we will all stand well back from the glass and ensure that it is swept up properly afterwards.

Certain scenes will feature the boy appearing to cause harm to himself, but we will ensure that he will not be hurt in the process. When banging his head against the door in the film, certain camera techniques and post production effects will make him appear to be seriously injuring himself, whilst in reality he will be standing a safe distance from the door to prevent any head injuries.

One setting where we must be particularly careful is on the road where our actors will be standing. We have chosen a very quiet rural road where cars won't often drive past, and one which is straight enough to see a good distance along it. We will have crew members on both sides of the shoot to check that there aren't any cars coming when filming, and that we move promptly out of the way when one does come.

Hair/Make-up/Costume Research

In our short film we have two main protagonists, both which are male, a son and his Father. However, we mainly focus on the teenage boy as the narrative revolves around the events that take place with himself. 

Teenage Boy costume/hair/make-up:

• Most of the time he will be wearing typical male pyjamas, such as, checkered loose bottoms and just a plain t shirt. His hair will be scruffy which emphasises the dramatic sleep walking events he has been experiencing. His skin tone will be pale, this can be created through the use of a very pale tone of make-up powder. I will also add some darkness under his eyes using dark eye shadow. 
• The teenage boy will need blood make-up effects about half way through the plot, as the narrative consists of him banging his head on his bedroom door in the middle of the night, therefore we need evidence of the damage he is creating for himself. I will buy some fake blood mix on amazon to create this effect. To successfully generate a bloody head effect I will watch tutorials on Youtube, allowing me to practice on myself because applying it onto our actor.

Father of the Teenage Boy costume/hair/make-up:

• The Father will be dressed in casual clothing consisting of jeans, a belt, and either a polo shirt or a worn shirt. His hair will be neat and gelled hair, therefore this will generate an immediate contrast between the two protagonists. The Father will not need any make-up as he is not the one suffering from the sleep walking events.

Location Research

Locations of Filming:

• Inside a house (boys bedroom/kitchen/living room/hallway) Wivelsfield

• Quiet road (nighttime) Wivelsfield

These particular locations are well fitted to our narrative as they are 'real' settings of a typical modern house which reinforces realism for our spectators. 

This location to film is ideal to imply the genre of Horror. This is because it is an isolated house with a quiet road with only a couple of other houses. This alone generates an eerie atmosphere for our narratives mood and tones that we want to reveal throughout the plot and events that take place. 

SYNOPSIS - Short Film

A young teenage boy is reading an old scary story in bed late at night with a dimly lit lamp beside him. His father walks in to say goodnight and tells him it is not good to read scary stories just before going to sleep. Later in the night he is shown dropping the book when falling asleep. When in a deep sleep he steps out of bed and walks downstairs. He bumps into a table making a glass fall off, awakening him and his father who comes running down to see if he's ok. The father tells him he must have been sleepwalking and to go back to sleep.

The next morning they discuss what happened during the night and the father tells the boy he'll lock his door tonight to stop him wandering around. The boy saying he doesn't feel well enough to go to school but his father is unsympathetic and tells him to go to school and that he'll be fine. That evening, we see the father downstairs watching football whilst the boy continues to read the book in his room. In the middle of the night he is then sleepwalking again and begins to bang his head on his bedroom door which is locked, as his Father told him to try and lock his door so that he doesn't escape again from sleepwalking. The Father hears banging which suddenly wakes him up and unlocks his sons door making the boy fall over. Blood is on the door and the boys head, showing the damage he has made to himself by banging his head.

The next day the father allows his son to stay off school and leaves him playing video games when he goes to work. As soon as the father leaves, the boy continues reading his book. That night, the boy ties himself to his bed in an attempt to prevent himself sleepwalking. In the night, we see that he has broken free of the rope/straps and there is a close up of the key turning on its own from the other side of the door. The boy then walks out of the house and onto the pavement where he stands still looking out onto the road. His father goes into his room to check on him, and sees him out of the window. The boy turns his head towards the window where his father is shouting at him and then looks back to towards the road. Car headlights appear in the distance, and as they get closer the boy steps into the road. Just as he is about to be hit, his father dives into the road and saves him. The boy wakes up and has no idea what has just happened.

The father and son are distraught, and decide to burn the book the following day. That night, we see a shot of the boy lying peacefully in bed with an empty table to the side, but his eyes suddenly open at an ECU and he looks to the side to see the book back beside him. 

Allocated Pre-Production Roles

Nathan: Director

• Lighting Designer
• Prop 'Buyer'
• Location Scout

Emily: Camera Operator

• Storyboard Artist
• Costume Designer
• Hair/Make-up Designer

Lauren: Editor

• Screenwriter
• Storyboard Artist
• Sound Designer